国画，和国书法一样，是中华文明的精髓，是全国人应该了解的艺术。对于要欣赏国画，那么掌握了解国古代品评绘画的基本原则—“国画六法”是很有必要的。下面
山东收购名人字画人员为您解析：
Chinese painting, like Chinese calligraphy, is the essence of Chinese civilization and the art that the whole country should understand. To appreciate traditional Chinese painting, it is necessary to master and understand the basic principles of ancient Chinese painting evaluation - the "six methods of traditional Chinese painting". The following is the analysis of Shandong's acquisition of celebrity calligraphy and painting personnel:
“六法”是南北朝时期生活在南齐的人物画家和美术理论家谢赫提出来的。谢赫擅长肖像画和仕女画，据载他具备敏锐的观察力和深厚的默写功夫。所谓“六法论”，是指：气韵生动、骨法用笔、应物象形、随类赋彩、经营位置、传移摹写六个方面。
The "six laws" were put forward by Xie He, a figure painter and art theorist who lived in the South Qi during the Northern and Southern Dynasties. Sheikh is good at portrait painting and lady painting. It is reported that he has keen observation and profound silent writing skills. The so-called "six methods" refer to six aspects: vivid charm, bone technique, pictographic, color according to category, business position, and transfer and copy.
1、气韵生动。
1. The charm is vivid.
即画面形象的精神气质，也就是东晋人物画家顾恺之称为的“神”。
That is, the spiritual temperament of the image, which is what Gu Kaizhi, the figure painter of the Eastern Jin Dynasty, called "God".
画面形象的精神气质要生动活泼、活灵活现、鲜明突出、形神兼备。国画的要求，不仅要描绘出对象的外形，而且还要表现出它的精神。人物有精神，山水、花鸟也有精神。达到神似，就能气韵生动。许多画家认为，没有气韵的作品是不能称之为画的。
The spiritual temperament of the image should be lively, vivid, distinct and outstanding, with both form and spirit. The requirement of traditional Chinese painting is not only to depict the shape of the object, but also to show its spirit. Characters have spirit, as do landscapes, flowers and birds. If you reach the similarity of spirit, you will have vivid charm. Many painters believe that works without charm cannot be called paintings.
当然，要表现出艺术形象的生动性、真实性，即气韵，也与其他五法分不开的，气韵生动离不开构图立意、笔墨技法，因此，它和其余五法是一个整体。其他五法同时也离不开气韵生动，否则，也就成为了缺乏灵魂的纯技术性的东西。
Of course, to show the vividness and authenticity of the artistic image, that is, aura, is also inseparable from the other five techniques. The vividness of aura is inseparable from the composition, conception and ink techniques. Therefore, it is a whole with the other five techniques. At the same time, the other five methods can not be separated from the vivid charm, otherwise, it will become a pure technical thing without soul.
2、骨法用笔。
2. Bone-technique pen.
骨法强调的是国画中用笔的骨力。
Bone technique emphasizes the bone strength of the pen in traditional Chinese painting.
用笔，就是国画有的笔墨技法。骨法用笔总的来说，就是指怎样用笔墨技法恰当地把对象的形状和质感画出来。如果我们把气韵生动理解为“神”，那么也就可以简单地把骨法用笔理解为“形”了，因此，气韵生动和骨法用笔又有着密不可分的内在联系。
The use of pen is the brush and ink technique of traditional Chinese painting. In general, the use of the bone technique pen means how to properly draw the shape and texture of the object with the pen and ink technique. If we understand the vividness of qi and rhyme as "god", then we can simply understand the use of bone techniques as "shape". Therefore, the vividness of qi and rhyme are inextricably linked with the use of bone techniques.
“形”的描写借助于笔墨写出来，而写形又不过是手段，其目的是表现“神”，这与顾恺之的“以形写神”的表现客体的法则是一致的。
The description of "form" is written with the help of pen and ink, while the writing of form is just a means, and its purpose is to express "god", which is consistent with Gu Kaizhi's principle of "writing god with form" to express the object.
3、应物象形。
3. It should be pictographic.
就是画家在描绘对象时，要顺应事物的本来面貌，用造型手段把它表现出来。
That is, when painting objects, painters should conform to the original appearance of things and express them by means of modeling.
描绘事物要有一定的客观事物作为依托和凭借，不能随意的主观臆造。但是，作为艺术，也可以在尊重客观事物的前提下进行取舍、概括、想象和夸张。这可以说是一种创作态度和方法。
The description of things should be based on certain objective things and should not be arbitrarily subjective. However, as art, we can also choose, summarize, imagine and exaggerate on the premise of respecting objective things. This can be said to be a creative attitude and method.
4、随类赋彩。
4. Color according to category.
指色彩的应用，指根据不同的描绘对象、时间、地点，施用不同的色彩。
It refers to the application of color, which refers to the application of different colors according to different painted objects, time and place.
国画运用色彩同西洋画是不同的，国画喜欢用固有色，即物体本来的颜色，虽然也讲究一定的变化，但变化较小。
The use of color in traditional Chinese painting is different from that in western painting. Traditional Chinese painting likes to use solid color, that is, the original color of objects. Although it also pays attention to certain changes, the changes are small.
5、经营位置。
5. Business location.
是指构图。
It refers to composition.
经营是指构图的设计方法，是根据画面的需要，安排调用形象。即通过所说的谋篇布局，来体现作品的整体效果。国画历来重视构图，讲究宾主、呼应、虚实、繁简、疏密、藏露、参差等种种关系。
Operation refers to the design method of composition, which is to arrange and call images according to the needs of the picture. That is to say, the overall effect of the work is reflected through the layout. Traditional Chinese painting has always attached importance to composition, stressing the relationship between the guest and the host, echo, emptiness and reality, complexity and simplicity, density, concealment and disclosure, and disparity.
6、传移摹写。
6. Transfer and copy.
就是指写生和临摹。
It refers to sketching and copying.
对真人真物进行写生，对古代作品进行临摹，这是一种学习自然和继承传统的学习方法。
It is a learning method to learn from nature and inherit tradition to draw from life and copy ancient works.
The above points are comprehensive and high requirements for painters and paintings, which are generally difficult to achieve completely, and it is necessary for everyone to achieve them. For ordinary enthusiasts, it is easy to understand and master the six methods, so as to understand the standards and focus of the ancients' evaluation of painting, so as to treat the art heritage objectively. More needs for celebrity calligraphy and painting come to us http://www.jinandayatang.com Consult here!
