时常听到朋友评论某位书画家的作品时说：“他的画真好，你看画的多像呀！”一幅好的书画作品，不能单凭像和不像来论好坏，而要看是否星神兼备。山东收购名人字画提示我们，要追求神的格调，走出形的误区。
Often I hear a friend comment on a painter's work and say, "His paintings are very good. You can see how much they look like!" A good painting and calligraphy can not be judged by image and unlikeness alone, but by the combination of stars and gods. Shandong's acquisition of celebrity paintings and calligraphy reminds us that we should pursue the style of God and get out of the misunderstanding of shape.
绘画艺术有形似、神似之分，形似是神似的基础，神似是形似的提高。古代画家就认识到不能顾了形似，忘了神似，而应力求神似。为什么有的作品看起来呆板、僵化、不生动，有的作品却栩栩如生、呼之欲出、生动自然？关键就在于前者“貌合神离”，后者“星神兼备”。因此，一幅书画作品不能只看它像不像，关键是要看它是否具有神韵。
Chinese painting art can be divided into physical similarity and spiritual similarity, which is the basis of Spiritual Similarity and the improvement of spiritual similarity. Ancient painters realized that they could not ignore the likeness of form and forget the likeness of god, but should strive for the likeness of god. Why do some works seem rigid, rigid and lifeless, while others are vivid, vivid and natural? The key lies in the former's combination of appearance and divinity, and the latter's combination of stars and gods. Therefore, a painting and calligraphy can not only look like it or not, the key is to see whether it has charm.

鉴赏收藏书画作品，看似简单，实际上大有讲究，需要有丰富的文化修养。北宋文学家沈括曾经感慨某些书画收藏家只取空名，听说是名家之作，就抢着收购，他称这种人为“耳鉴”；另一种人以为画上颜色不会染上手指就是好画，于是遇见画就摸，他称这种人又在“耳鉴之下”，称之为“揣骨听声”。显然这两种方法都是不可取的。唐代画家阎立本看南朝画家张僧鹞的作品，刚开始他感觉到莫名其妙，说“定虚得名耳”；再去看后又说“犹是近代佳手”；当他第三次再去看的时候，激动地说：“名下无虚士！”因此我们在收藏名人名家字画中，要平心静气，不能浮躁，也不能怀有成见，通过认真细致的观察、分析、领会，才能不被一些表面现象所迷惑，才能买到真正具有收藏意义的货真价实的名人字画。
Appreciating and collecting paintings and calligraphy seems simple, but in fact, it is very exquisite and needs rich cultural accomplishment. Shen Kuo, a writer of the Northern Song Dynasty, once lamented that some collectors of calligraphy and paintings only took empty names and rushed to acquire them when they heard that they were masterpieces. He called them "ear gazetteers". Another thought that the color on the paintings could not be dyed by fingers was a good painting, so he touched the paintings when he met them. He called them "under ear gazetteers", and called them "bone-piercing and sound-piercing". Obviously, both methods are not advisable. Yan Liben, a painter of Tang Dynasty, looked at the works of Zhang Sengyuan, a painter of Southern Dynasty. At first, he felt puzzled and said, "Definitely deserve fame and ears". Then he went to see them and said, "He is still a master of modern times". When he went to see them for the third time, he said excitedly, "There are no empty men under the name!" Therefore, in collecting celebrity paintings and calligraphy, we should be calm, not impetuous, nor prejudiced. Only by careful observation, analysis and understanding, can we not be confused by some superficial phenomena, and can we buy genuine and genuine celebrity paintings with collective significance.
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